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used "to send him to the chickens." Juan had had the offer of learning one form of such script, but, not unnaturally, had looked upon it with some contempt, preferring European accomplishments. The information which could be gathered was, therefore, with one exception, which will be noted later, simply that of the layman, or man in the street, who had been aware of the existence of the art and seen it going on around him, but had no personal knowledge.
   The tablets were of all sizes up to 6 feet. It was a picturesque sight to see an old man pick up a piece of banana-stem, larger than himself, from among the grove in which we were talking, and stagger along with it to show what it meant to carry a tablet, though, as he explained, the sides of the tablet were flat, not round like the stem. It is said that the original symbols were brought to the island by the first-comers, and that they were on "paper," that when the paper was done, their ancestors made them from the banana plant, and when it was found that withered they resorted to wood. Every clan had professors in the art who were known as rongo-rongo men ("tangata-rongo-rongo"). They had houses apart, the sites of which are shown in various localities. Here they practised their calling, often sitting and working with their pupils in the shade of the bananas; their wives had separate establishments. In writing, the incision was made with a shark's tooth: the beginners worked on the outer sheaths of banana-stems, and later were promoted to use the wood known as "toro-miro." ¹
    The glyphs are, as will be seen, so arranged that when the figures of one row are right way up, those of the one immediately below it are on their heads; thus only alternate rows can, at the same time, be seen in correct position (fig. 98). The method of reading was, according to Te Haha, to read one row from left to right, then come back reading the next from right to left, the method known as boustrophedon, from the manner in which an ox ploughs a furrow. The finished ones were wrapped in reeds and hung up in the houses. According to two independent authorities they could only be touched by the professors or their servants, and were taboo to the uninitiated, which, however, does not quite agree with other statements, nor with that of the missionaries, that they were to be found in "every house." They

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